The
Dark Side: How I Handle Writing Dark Themes
Author S.W. Vaughn opens up about what prompts to write dark characters in dark worlds.
“Now
you see that evil will always triumph, because good is dumb.”
--Dark Helmet, Spaceballs
A lot of my work deals with
stuff that isn’t exactly sunshine and roses. I don’t shy away from violence—many
of my main characters are thieves and drug dealers, crooked and corrupt people,
psychotics and sociopaths, even killers. At the least, they’re all disturbed in
some way. I’ve tried writing happy, normal, well-adjusted characters—and it
just doesn’t work for me. They bore me to tears.
But the biggest reason I
write dark fiction is that I believe in the innate kindness and decency of
humanity—and I promise, that’s not a contradiction. I believe that, given the
opportunity, an overwhelming majority of people would choose to be good. It’s
just that not everyone has that choice.
“We
ain’t no delinquents, we’re misunderstood
Deep
down inside us there is good.”
--The Jets, West Side Story
Let me tell you a story.
I go to New York City twice
a year to work at a publicity summit. In midtown Manhattan, where our hotel is,
there’s a group of homeless people who spend a lot of mornings “working
corners”—each of them has a huge plastic bottle, and they’re stationed at
intersections every couple of blocks, asking for money for a program that
provides shelter and tries to help them find employment. Most people think this
program is a racket, and their only “job” is to rip people off. So they walk by
without even glancing at them.
One morning, I was headed
out of the hotel to get some coffee at a Dunkin Donuts a few blocks away—and it
was pouring rain. I passed one of the guys with the plastic bottles standing
out on the sidewalk. He was wearing a flimsy plastic poncho that wasn’t
anywhere near keeping him dry. So I went down to the next block, bought an
umbrella from the dollar store, then walked back and gave it to him.
That man gave me the
biggest smile I’ve ever seen. He hugged me and said God bless me, and told me I
was beautiful. I almost cried right there, because he was beautiful, and I felt honored to have met him.
It’s easy to make snap
judgments and assume the worst about people. But it only takes an extra minute
or two to move past that knee-jerk reaction and think that just maybe, your
assumptions are wrong. That’s how I approach writing dark themes—by playing on
assumptions, and giving my characters real and believable reasons for doing
what they do.
“Without
darkness, there can be no light.”
--The Lord of Darkness, Legend
Violence and hatred exist
in the world—that is a simple fact. Even if the entire population of the world
were clones of Gandhi and Mother Teresa, we’d still find something to fight
about. I’m not advocating violence for the sake of having something to compare
with goodness. It just is.
However, even in the midst
of darkness, the light of humanity rises up. People who have been forced to
make hard choices and end up falling into bad lifestyles manage to fight their
way out. Millions of everyday heroes—those who struggle to survive in all sorts
of terrible situations—perform small acts of kindness that touch someone, even
if it’s just one other person.
Sure, there are some lost
causes, the truly violent and unrepentant, but they are few and far between. If
you pay attention, you’ll see those you least expect to be good people—the punk
with the pierced face, the bitter old man, the welfare mom, the dude with
sagging pants, the bum on the corner—prove that they aren’t what you think.
They are human, and they are beautiful.
To me, this is what’s amazing
and powerful about the world. And that’s why I write about it.
About the Author: S.W. Vaughn lives in central New York and writes thrillers. The House Phoenix series started with the last line in Broken Angel and grew from there.
About the Author: S.W. Vaughn lives in central New York and writes thrillers. The House Phoenix series started with the last line in Broken Angel and grew from there.
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